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Miles Teller’s Brendan McDonough is the protagonist. There are allusions to him suffering from past addictions but they are relegated to a few stray lines of dialogue in the third act, maybe for fear of making him look too much like a real person.īrolin is solid, though the character’s hokey “I talk to fire” moments undermine him. Josh Brolin’s Eric Marsh is the crew boss (and crew founder), hellbent on getting the group certified and taken seriously. Only three of the Granite Mountain Hotshots are given any discernible personality or backstory it’s more effective seeing the photos of the real Hotshots, which do a neater job of telling us about their lives. Too often, though, it’s difficult not to see the group as buffoonish, twang-talking beer-swillers who do little more than opine about women-who, if they aren’t standing by their man are “sluts” or “bitches”-when they aren’t showing how manly they are by putting out fires.īecause the film feels so long, at just over two hours, Kosinski and screenwriters Ken Nolan and Eric Warren Singer come off like they’re cramming 80 pounds of story into a five-pound sack. If you don’t recall the film’s events from 2013, just do a search for “Yarnell Fire + Granite Mountain Hotshots.” The point is, the outcome is widely-known and much of the film’s runtime should be about showing you who these men were and their accomplishments. It’s painful to criticize a movie that’s well-intentioned. Determined to prove themselves, the team works together despite their own personal flaws, putting out fires and saving lives. The Granite Mountain Hotshots are considered the “Seal Team 6” of firefighters in Prescott, Arizona.
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That synopsis alone will determine your enjoyment level of a film that often doesn’t know how to balance out its Perfect Storm-esque plot with its hokey sentimentalism and comedic beats. Joseph Kosinski’s Only the Brave blends the real-life story of the Granite Mountain Hotshots with the drama of fictional firefighter narratives like Backdraft and Ladder 49 to make what feels like Lone Survivor: Firefighter Edition. It is exciting, superbly made (with lots of interesting silent scenes to music and montages of photographs), but it also has a lot of depth.Firefighters are heroes, of that there’s no doubt, and Hollywood’s attempted to showcase their bravery in film for years.
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See this movie if you are a fan of westerns, or just a fan of good movies.
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Watching the two interact, with a superb script full of great dialogue, is what makes this movie so exciting. The charisma and screen presence of the two actors and the way they work together is what drives the film. It is a close look at two criminals, the talented Sundance Kid, and Butch Cassidy, the one who does all the thinking. It is about Butch Cassidy and the Sundance Kid. There is really no connection all the way through, for the most part.
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The story is mostly composed of short pieces telling a little story about them. The plot follows them as they travel to Bolivia after a railroad president hires a posse to hunt them do. It is a great look at two likeable outlaws, full of witty dialogue and exciting action sequences.īutch Cassidy (Paul Newman) and The Sundance Kid (Robert Redford) are two bank robbers, chased by the law. Run time : 110 mins Butch Cassidy and the Sundance Kid is rightfully hailed as one of the greatest westerns ever made, although much of the movie takes place in South America. Butch Cassidy and the Sundance Kid (1969)